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kiyâm: Foreword

kiyâm
Foreword
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Notes

table of contents
  1. Cover
  2. Foreword
  3. The Sounds of Plains Cree: A Guide to Pronunciation
  4. kiyâm
  5. Family Poems
    1. The Road to Writer’s Block (A Poem to Myself)
    2. Trademark Translation
    3. paskwâhk - On the Prairie
    4. kiya kâ-pakaski-nîmihitoyan - You Who Dance So Brightly
    5. tawâw - There Is Room, Always Room for One More
    6. Perfect Not Perfect
    7. tawastêw - The Passage Is Safe
    8. pahkwêsikan - Bread
    9. ê-wîtisânîhitoyâhk asici pîkiskwêwin - Language Family
    10. ê-wîtisânîhitoyâhk êkwa ê-pêyâhtakowêyâhk - Relative Clause
    11. Critical Race Theory at Canadian Tire
  6. Reclamation Poems
    1. Cree Lessons
    2. tânisi ka-isi-nihtâ-âhpinihkêyan - How to Tan a Hide
    3. aniki nîso nâpêwak kâ-pîkiskwêcik - Two Men Talking
    4. nôhtâwiy opîkiskwêwin - Father Tongue
    5. ninitâhtâmon kititwêwiniwâwa - I Borrow Your Words
    6. aniki nîso nâpêwak kâ-masinahikêcik - Two Men Writing
    7. sâpohtawân - Ghost Dance
    8. ê-kî-pîcicîyâhk - We Danced Round Dance
  7. A Few Ideas from amiskwacî-wâskahikanihk
    1. The Young Linguist
    2. tânisi ka-isi-nihtâ-pimîhkêyan - How to Make Pemmican
  8. History Poems
    1. maskihkiy maskwa iskwêw ôma wiya ohci - For Medicine Bear Woman
    2. mistahi-maskwa
    3. Take This Rope and This Poem (A Letter for Big Bear)
    4. sôhkikâpawi, nitôtêm - Stand Strong, My Friend
    5. kâh-kîhtwâm - Again and Again
    6. nikî-pê-pimiskân - I Came This Way by Canoe
    7. Spinning
    8. Practicing for My Defence
    9. Like a Bead on a String
    10. ihkatawâw ay-itwêhiwêw - The Marsh Sends a Message
    11. kakwêcihkêmowin ohci kânata otâcimowina - A Question for Canadian History
    12. kiskinohamâkêwin ohci kânata otâcimowina - An Instruction for Canadian History
    13. kiyâm - Let It Be
  9. Notes on the Poems
  10. Cree-English Correspondences
  11. Bibliography
  12. Publication Credits
  13. Acknowledgements

foreword

I mean no wrong in writing

or speaking your language. I mean

to understand you on your terms,

in your words.

Naomi McIlwraith

kiyâm is a beautiful and contentious collection that explores the ways in which a writer may speak stories from a world many consider her not part of, but one to which she is spiritually very close. Naomi McIlwraith addresses these concerns through her poetry and its liminal navigations of the borders between English and Cree, between written and spoken texts. She brings to the forefront her concerns about voice and the right to speak certain stories, but rather than allowing voice to become something that circumscribes and limits her, she attempts to represent a variety of histories and stories in a respectful manner and with a careful ear for the essential musicality of language. She engages with an intersection of cultures and histories in a way that pays great honour to all these histories and to the overarching power of the personal narrative — in her case, the one connecting strand that pulls all of her divergent worlds together. McIlwraith strives to engage with each of her worlds with understanding, but she is also wry, humorous, and deeply honest. Her voice is a clear and engaging one, navigating the uneasy waters of translation/transliteration with care and grace.

kiyâm is a direct engagement with European literary tradition and the history/baggage of the written word, held up against the oral tradition of the First Nations and Métis. The collection provides an intriguing view of a woman and a writer treading the pathways between those worlds, knowing that certain stories are in danger of being lost and that moving them from the oral world to the written world is one of the most certain ways of preserving them, yet knowing at the same time that this move alters their essential meaning and form.

This is an important collection in its negotiation of two vastly different linguistic worlds. Possessing a deep-felt respect, as well as many moments of startling beauty, kiyâm is a collection that is sure to challenge and inspire, and, most certainly, to resonate.

Jenna Butler

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The Sounds of Plains Cree: A Guide to Pronunciation
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