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kiyâm: The Sounds of Plains Cree: A Guide to Pronunciation

kiyâm
The Sounds of Plains Cree: A Guide to Pronunciation
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table of contents
  1. Cover
  2. Foreword
  3. The Sounds of Plains Cree: A Guide to Pronunciation
  4. kiyâm
  5. Family Poems
    1. The Road to Writer’s Block (A Poem to Myself)
    2. Trademark Translation
    3. paskwâhk - On the Prairie
    4. kiya kâ-pakaski-nîmihitoyan - You Who Dance So Brightly
    5. tawâw - There Is Room, Always Room for One More
    6. Perfect Not Perfect
    7. tawastêw - The Passage Is Safe
    8. pahkwêsikan - Bread
    9. ê-wîtisânîhitoyâhk asici pîkiskwêwin - Language Family
    10. ê-wîtisânîhitoyâhk êkwa ê-pêyâhtakowêyâhk - Relative Clause
    11. Critical Race Theory at Canadian Tire
  6. Reclamation Poems
    1. Cree Lessons
    2. tânisi ka-isi-nihtâ-âhpinihkêyan - How to Tan a Hide
    3. aniki nîso nâpêwak kâ-pîkiskwêcik - Two Men Talking
    4. nôhtâwiy opîkiskwêwin - Father Tongue
    5. ninitâhtâmon kititwêwiniwâwa - I Borrow Your Words
    6. aniki nîso nâpêwak kâ-masinahikêcik - Two Men Writing
    7. sâpohtawân - Ghost Dance
    8. ê-kî-pîcicîyâhk - We Danced Round Dance
  7. A Few Ideas from amiskwacî-wâskahikanihk
    1. The Young Linguist
    2. tânisi ka-isi-nihtâ-pimîhkêyan - How to Make Pemmican
  8. History Poems
    1. maskihkiy maskwa iskwêw ôma wiya ohci - For Medicine Bear Woman
    2. mistahi-maskwa
    3. Take This Rope and This Poem (A Letter for Big Bear)
    4. sôhkikâpawi, nitôtêm - Stand Strong, My Friend
    5. kâh-kîhtwâm - Again and Again
    6. nikî-pê-pimiskân - I Came This Way by Canoe
    7. Spinning
    8. Practicing for My Defence
    9. Like a Bead on a String
    10. ihkatawâw ay-itwêhiwêw - The Marsh Sends a Message
    11. kakwêcihkêmowin ohci kânata otâcimowina - A Question for Canadian History
    12. kiskinohamâkêwin ohci kânata otâcimowina - An Instruction for Canadian History
    13. kiyâm - Let It Be
  9. Notes on the Poems
  10. Cree-English Correspondences
  11. Bibliography
  12. Publication Credits
  13. Acknowledgements

The Sounds of Plains Cree: A Guide to Pronunciation | kiyâm | AU Press—Digital Publications

the sounds of plains cree: a guide to pronunciation

Drawing on the scholarship of Arok Wolvengrey, Jean Okimâsis, and others at the Cree Editing Council in Saskatchewan, as well as on that of Freda Ahenakew and H. Christoph Wolfart, I have used the Standard Roman Orthography (SRO) to represent the sounds of nêhiyawêwin, the Plains Cree language. The work of these scholars has contributed greatly to the accurate preservation of Plains Cree pronunciation. The description below is based on Okimâsis and Wolvengrey’s How to Spell It in Cree, especially chapter 3, “What to Use to Spell in Cree.”

Plains Cree has ten consonants: c, h, k, m, n, p, s, t, w, and y. The consonants h, m, n, s, w, and y sound very similar to their counterparts in English. The consonants c, k, p, and t, however, differ from their English counterparts.

The letter c most commonly represents the ts sound we hear in the English word “bats,” although in some dialects or regional variations of Plains Cree, the c sounds more like the ch in “batch.” In contrast to English, the c never represents the sound of a k (“call”) or an s (“cinnamon”).

The letter k sounds like the k in “skate,” falling roughly between the k in “Kate” and the g in “gate.”

The letter p sounds like the p in “spit,” falling roughly between the p in “pit” and the b in “bit.”

The letter t sounds like the t in “steal,” falling roughly between the t in “teal” and the d in “deal.”

Plains Cree has three short vowels (a, i, o) and four long vowels (â, î, ô, and ê).

a sounds like the English a in “above” and the English u in “upheaval,” but never like the u in “use” or “put”

â sounds somewhat like the English a in “rather” or the a in the word “father” if it were spoken with an Irish accent (Okimâsis and Wolvengrey, 7)

i sounds like the English i in “pit” or “mitt,” but never like the i in “pine” or “mine”

î sounds like the English i in “nectarine,” but never like the i in “fine”

o sounds like the English o in “only” or the oo in “foot” or the u in “put”

ô sounds like the English o in “toe” or oa in “coat,” and sometimes like the oo in “moose”

ê sounds like the English ay in “bay” or ai in “grain.” The vowel ê has no short counterpart.

The “h-consonant” cluster, as Okimâsis and Wolvengrey call it, occurs whenever an h precedes any consonant C. It has a significant effect on the vowel that precedes the h, in most cases equalizing the difference between long and short. This means that it can be very difficult to distinguish between a short and a long vowel before an hC cluster.

Plains Cree has distinct and predictable patterns of stress, which are quite independent of vowel length. Two-syllable words generally place the stress on the last or ultimate syllable, as in pêyak (pay yuk) or atim (uh tim). Words with three or more syllables place the greatest stress on the third to last, or antepenultimate, syllable, as in awâsis (uh waa sis) or awâsisak (uh waa sis suk). Words of five or more syllables place a slight secondary stress on every second syllable preceding the antepenultimate syllable. For example, nitâniskotâpân is pronounced “ni taa nis ko taa paan.” These patterns of stress lend a melodic quality to Plains Cree speech that makes the language very pleasurable to hear.

Readers interested in learning more about Plains Cree grammar and pronunciation will find a variety of sources listed in the bibliography. This book is also accompanied by an audio version, available on the AU Press website.

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