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My Works, Ye Mighty: 24

My Works, Ye Mighty
24
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Notes

table of contents
  1. Cover
  2. Dedication
  3. Foreword
  4. My Works, Ye Mighty
  5. A Zoom Lens for The Future of The Text
  6. The Microcosm of Conceptualism
  7. 01
  8. 02
  9. 03
  10. 04
  11. 05
  12. 06
  13. 07
  14. 08
  15. To Zoom from an Atom to a Star
  16. 09
  17. 10
  18. 11
  19. 12
  20. 13
  21. The Minimal Element of Writing
  22. 14
  23. 15
  24. 16
  25. 17
  26. 18
  27. 19
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. 27
  36. The Macrocosm of Conceptualism
  37. 28
  38. 29
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. Notes
  46. References
  47. List of Illustrations
  48. Acknowledgements
  49. About the Author
  50. Copyright Page

24.

Zoom out. Kenneth Goldsmith claims that, on the contrary, the archive constitutes the minimal element of writing since, as he notes, the digital genesis of textual corpora now results at once in their curated storage, with everything copied and stowed online in automated databases: “writers are plundering these vast warehouses of text,” not for “raw material” — “but rather to [. . .] reshape them” ;38 moreover, “large-scale” venues for online social engagement (like Google, Facebook, and Instagram), archive all our interactions with their platforms, collating our utterances in a manner that might rival the repositories of surveillance in servers at the NSA. Each text that we publish in an online milieu now results in the creation of a “library” on our behalf, whose filing system records our writing, all of it searchable by algorithms.

An isometric floorplan of the Library of Babel, showing a honeycomb of hexagonal tenements, appearing to extend infinitely across the plane from the foreground to the background.

The Library of Babel

Image by Alex Warren

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