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My Works, Ye Mighty: 23

My Works, Ye Mighty
23
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Notes

table of contents
  1. Cover
  2. Dedication
  3. Foreword
  4. My Works, Ye Mighty
  5. A Zoom Lens for The Future of The Text
  6. The Microcosm of Conceptualism
  7. 01
  8. 02
  9. 03
  10. 04
  11. 05
  12. 06
  13. 07
  14. 08
  15. To Zoom from an Atom to a Star
  16. 09
  17. 10
  18. 11
  19. 12
  20. 13
  21. The Minimal Element of Writing
  22. 14
  23. 15
  24. 16
  25. 17
  26. 18
  27. 19
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. 27
  36. The Macrocosm of Conceptualism
  37. 28
  38. 29
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. Notes
  46. References
  47. List of Illustrations
  48. Acknowledgements
  49. About the Author
  50. Copyright Page

23.

Zoom out. Eli Mandel might claim that the corpus constitutes the minimal element of writing — what he calls the “life sentence,” in which the whole canon of a single writer becomes the main unit for authorial discourse: i.e., “a life of words or a life in words.” 37 Every work written by a poet gets absorbed into such an opus, all “to serve the sentence” (from which no poet gets out on parole). I might note that not even parole (à la Ferdinand de Saussure) allows us to escape langue altogether, for only the full stop of death ends such a sentence. The demise of the author, complete with any “last word,” leaves behind a body of work, a corpus, memorialized under a name, both unique and proper, identifying the standard currency of exchange among the living, who must construct for themselves the grandiose tradition of literature out of these indeed large, albeit prime, units of writing.

A webpage from the website called UbuWeb, showing a banner, with the portrait of Samuel Beckett, gazing on a directory, with a search window, containing the name ‘James Joyce.’

The Archive

Image by Kenneth Goldsmith

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