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My Works, Ye Mighty: 02

My Works, Ye Mighty
02
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Notes

table of contents
  1. Cover
  2. Dedication
  3. Foreword
  4. My Works, Ye Mighty
  5. A Zoom Lens for The Future of The Text
  6. The Microcosm of Conceptualism
  7. 01
  8. 02
  9. 03
  10. 04
  11. 05
  12. 06
  13. 07
  14. 08
  15. To Zoom from an Atom to a Star
  16. 09
  17. 10
  18. 11
  19. 12
  20. 13
  21. The Minimal Element of Writing
  22. 14
  23. 15
  24. 16
  25. 17
  26. 18
  27. 19
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. 27
  36. The Macrocosm of Conceptualism
  37. 28
  38. 29
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. Notes
  46. References
  47. List of Illustrations
  48. Acknowledgements
  49. About the Author
  50. Copyright Page

02.

Consider, for example, the following whimsical speculation about “scale,” knowing that, if marked on paper, and if viewed from an extreme vantage of distance, the period at the far end of this sentence might constitute a point of zero dimension; but as I magnify this dot of punctuation, the period soon becomes a circle, with two dimensions; and as I magnify the period even further, zooming into it, I see that the circle becomes a planar fabric of linear fibres, each of which, from afar, has one dimension; and as I magnify each strand further, I see that, eventually, it becomes a tubule, with three dimensions — leading me to conclude that the period at the far end of this sentence might, in fact, occupy a diverse variety of dimensions, each of which contradicts the others, depending upon the scale at which I might prefer to observe such a tiny mark after this last word.

A row of four black circles (labeled: Avenir, Gill Sans, Palatino, and Times New Roman), under which appear a row of four black squares (labeled: Arial, Helvetica, Lithos, and Verdana).

Samples from Typography of the Period

by Heidi Nelson

Image by Christian Bök

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