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Shape Your Eyes by Shutting Them: Heaven help the roses

Shape Your Eyes by Shutting Them
Heaven help the roses
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Notes

table of contents
  1. Cover
  2. Shadows the words
  3. Three votive candles
  4. Fifty more
  5. Here is where was
  6. Second of the night
  7. No family one pictures
  8. Grand parenthesis
  9. Where the area code ends
  10. Found and lost
  11. Take forever just a minute
  12. A sound outside the house
  13. A pantoum to smash pandas
  14. Anthropocene obscene as orange
  15. Room for one more
  16. The leaf is not the line
  17. Why the blue whale risked its neck
  18. Mab and Burke
  19. L’âme de l’homme est fait du papier
  20. Voyager 2, thinking, types things
  21. Lunar sonata
  22. Baby Bee explains Jupiter’s Great Red Spot
  23. Whose eyes are shut in every photo
  24. Heaven help the roses
  25. Forgive me Cathy for
  26. Ever
  27. The lineaments
  28. New patriot love
  29. You and you kiss the knife moon
  30. Grosvenor Road
  31. Shape your eyes by shutting them
  32. The space of one paragraph
  33. Was I asleep?
  34. The Pit of Carkoon
  35. Raver in the bathroom
  36. Like opening your refrigerator door
  37. This time the subway
  38. Speeches for Francis Bacon’s Three Studies for Figures at The Base of a Crucifixion
  39. Nightmares in the university’s ruins
  40. Stranger music
  41. Ecstasy, Euphrasia
  42. In Gwen MacEwen Park
  43. Cash paradise
  44. Moon of a far planet
  45. Fuseli in Peru
  46. Notes
  47. Acknowledgements and publication credits

Heaven help the roses

For Pauline Davis, a.k.a. “the Peace Lady,” 1943–2017

Toronto knew her as the Peace Lady:

For hours she’d stand athwart an overpass

That spanned the Parkway through the Don’s ravine;

On Steeles, on Finch, on Lawrence, Eglinton.

She wore a white robe, her brown hand held high;

Two fingers telegraphing, simply, Peace.

When driving past we’d roll the windows down

And wave Peace back as Dad tapped on the horn.

At school we traded true Peace Lady facts:

She lived near the river, she kept raccoons.

In Nineteen Eighty-Four, cold war scares raged.

In Sunday school, we read When the Wind Blows.

Our seventh-grade science teacher confessed

Where he’d wish to be if the bomb got dropped

On Toronto: “Directly beneath it.”

In English we read Wyndham’s Chrysalids.

On TV, Muppets sang “Can’t we be friends?”

Max Headroom unearthed radioactive waste

And several times a day the networks played

Emergency broadcasts, as grey and dark

As Reagan and Chernenko, null and void

As country roads shown in The Day After.

One night the evening news displayed how wide

A circle of fallout would spread in case

An ICBM struck the city’s core.

That circle’s edge—that emptied area code—

Engulfed our neighbourhood. Sleepless that night,

I lay and pictured houses on my street

Intact but vacant, windowless, and still,

All marred with carbon shadows, disused toys.

The air a thick green, toxic algae bloom,

Through which survivors shuffled, half melted,

Like plastic action figures burned by kids.

Through nervous years she graced our roads with peace,

A figurehead of hope on Toronto’s

Concrete prow; but when the millennium turned,

When cold war turned to market war, and we

Put movie studios in our pockets,

She feared they made her mission a new threat.

She was weaponized as mass distraction,

As drivers courted carnage in pursuit

Of perfect shots. So she stood down, gave up

The call for all to bid farewell to arms.

“The ‘state of emergency’ in which we

Live is not the exception but the rule,”

Warned Benjamin, through 1940’s storms.

I want the news to tell us Pauline won,

That she got a Nobel or the Order

Of Canada, or has been canonized.

Made statutory. Cast as stone icon

For all guerrilla artists to raise up

On all the city’s bridges and highways,

A figurehead to help us navigate

To any year but 1984:

A year whose end we’re all waiting for, still

As silhouettes burning to windowless walls.

Annotate

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