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The Art of Communication in a Polarized World: List of Figures

The Art of Communication in a Polarized World
List of Figures
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“List of Figures” in “The Art of Communication in a Polarized World”

Figures

Figure 1   Cultural translation

Figure 2   Parallax view

Figure 3   Mural depicting Fatty Arbuckle

Figure 4   Sender-message-receiver model

Figure 5   Encoding/decoding model

Figure 6   Sign and interpretant

Figure 7   Hero 1 asks a question

Figure 8   Hero 2 answers

Figure 9   Hero 1 thinks Hero 2 is a jerk

Figure 10   Hero 1 has had enough, and Hero 2 objects

Figure 11   Hero 2 wonders what went wrong

Figure 12   Translation as transformative substitution

Figure 13   Brecht’s judge devises the correct question for a wrong answer

Figure 14   Translation of emotion words into variations of goodthink

Figure 15   Newspeak cuts someone off from a sign’s interpretants

Figure 16   Winston hears a thrush and thinks of freedom

Figure 17   Winston tells O’Brien he will do terrible things to overcome Big Brother

Figure 18   Sacrifice and freedom take on a new meaning for Winston

Figure 19   Competing frames for understanding 2016 fires in Fort McMurray, Alberta

Figure 20   A climate change skeptic changes her mind when she sees the phenomena in a personalized frame

Figure 21   Petr Pavlenskii performs Segregation

Figure 22   Pavlenskii’s Segregation as interpreted through a psychiatric frame

Figure 23   Pavlenskii’s Segregation as an act of political protest

Figure 24   Pavlenskii’s Freedom as interpreted through a legal frame

Figure 25   Pavlenskii’s Freedom as an act of political protest

Figure 26   Percentage of people who think media are biased, as a function of political orientation

Figure 27   Ngram representing the use of the phrase “fake news,” 1900–2008

Figure 28   Google searches for “fake news,” January 2016–July 2018

Figure 29   Donald Trump’s use of the word Figure 1   animals interpreted through the frame of recent history

Figure 30   Donald Trump’s use of the term animals interpreted through the frame of security

Figure 31   A feedback loop focusing on violence in recent events

Figure 32   A feedback loop focusing on expressions of nativist tendencies

Figure 33   Me, arriving in St. Étienne, France

Figure 34   My workbench

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