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Icon, Brand, Myth: Acknowledgements

Icon, Brand, Myth
Acknowledgements
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Notes

table of contents
  1. Cover
  2. Acknowledgements
  3. Introduction
  4. Chapter 1: The Stampede in Historical Context
  5. Chapter 2: Making Tradition: The Calgary Stampede, 1912–1939
  6. Chapter 3: The Indians and the Stampede
  7. Chapter 4: Calgary’s Parading Culture Before 1912
  8. Chapter 5: Midway to Respectability: Carnivals at the Calgary Stampede
  9. Chapter 6: More Than Partners: The Calgary Stampede and the City of Calgary
  10. Chapter 7: Riding Broncs and Taming Contradictions: Reflections on the Uses of the Cowboy in the Calgary Stampede
  11. Chapter 8: A Spurring Soul: A Tenderfoot’s Guide to the Calgary Stampede Rodeo
  12. Chapter 9: The Half a Mile of Heaven’s Gate
  13. Chapter 10: “Cowtown It Ain’t”: The Stampede and Calgary’s Public Monuments
  14. Chapter 11: “A Wonderful Picture”: Western Art and the Calgary Stampede
  15. Chapter 12: The Social Construction of the Canadian Cowboy: Calgary Exhibition and Stampede Posters, 1952–1972
  16. Chapter 13: Renewing the Stampede for the 21st Century: A Conversation with Vern Kimball, Calgary Stampede Chief Executive Officer
  17. Bibliography
  18. Contributors
  19. Index

Acknowledgements

I would like to thank the contributors to this volume, the genesis of which dates back to 2004 and the Faculty of Communication and Culture’s inaugural course on the culture of the Stampede. Their time, effort, and co-operation are greatly appreciated. I would also like to acknowledge the support and cooperation of the Calgary Stampede and especially its generosity in supplying most of the visuals that appear in the book. Here a special thanks goes to Tracey Read, manager, Government Relations and Community Partnership, who helped me so much in so many ways.

Max ForanUniversity of CalgaryNovember 2007

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This work is licensed under a Creative Commons License (CC BY-NC-ND 2.5 CA). It may be reproduced for non-commercial purposes, provided that the original author is credited.
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