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The Medium Is the Monster: Title Page

The Medium Is the Monster
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Notes

table of contents
  1. Cover
  2. Acknowledgments
  3. Introduction
  4. 1. Technology, Frankenstein, and . . . Canada?
  5. 2. Refocusing Adaptation Studies
  6. 3. Frankenstein and the Reinvention of “Technology”
  7. 4. The Medium Is the Monster: McLuhan’s “Frankenpheme” of Technology
  8. 5. Monstrous Adaptations: McLuhanesque Frankensteins in Neuromancer and Videodrome
  9. 6. “Technology Implies Belligerence”: Pattern Propagation in Canadian Science Fiction
  10. 7. Is It Live or Is It Deadmau5? Pattern Amplification in Canadian Electronic Dance Music
  11. 8. Monster Mines and Pipelines: Frankenphemes of Tar Sands Technology in Canadian Popular Culture
  12. Conclusion
  13. References
  14. Index

The Medium Is the Monster

Canadian Adaptations of Frankenstein and the Discourse of Technology

Mark A. McCutcheon

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