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The Medium Is the Monster: Contents

The Medium Is the Monster
Contents
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“Contents” in “The Medium Is the Monster”

Contents

Acknowledgements

Introduction

1. Technology, Frankenstein, and . . . Canada?

2. Refocusing Adaptation Studies

3. Frankenstein and the Reinvention of “Technology”

4. The Medium Is the Monster: McLuhan’s “Frankenpheme” of Technology

5. Monstrous Adaptations: McLuhanesque Frankensteins in Neuromancer and Videodrome

6. “Technology Implies Belligerence”: Pattern Propagation in Canadian Science Fiction

7. Is It Live or Is It Deadmau5? Pattern Amplification in Canadian Electronic Dance Music

8. Monster Mines and Pipelines: Frankenphemes of Tar Sands Technology in Canadian Popular Culture

Conclusion

References

Index

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