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The Medium Is the Monster: Dedication

The Medium Is the Monster
Dedication
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Notes

table of contents
  1. Cover
  2. Acknowledgments
  3. Introduction
  4. 1. Technology, Frankenstein, and . . . Canada?
  5. 2. Refocusing Adaptation Studies
  6. 3. Frankenstein and the Reinvention of “Technology”
  7. 4. The Medium Is the Monster: McLuhan’s “Frankenpheme” of Technology
  8. 5. Monstrous Adaptations: McLuhanesque Frankensteins in Neuromancer and Videodrome
  9. 6. “Technology Implies Belligerence”: Pattern Propagation in Canadian Science Fiction
  10. 7. Is It Live or Is It Deadmau5? Pattern Amplification in Canadian Electronic Dance Music
  11. 8. Monster Mines and Pipelines: Frankenphemes of Tar Sands Technology in Canadian Popular Culture
  12. Conclusion
  13. References
  14. Index

For Dr. Leslie Robicsek, to whom I promised long ago to dedicate my first book. (I’m sure neither of us then envisioned that my first book would look like this, but writing is full of surprises and unexpected turns, which may be one reason why Mary Shelley described it as “hideous progeny.”)

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