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Connectionist Representations of Tonal Music: Copyright

Connectionist Representations of Tonal Music
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Notes

table of contents
  1. Cover
  2. List of Figures
  3. List of Tables
  4. Acknowledgements
  5. Overture: Alien Music
  6. Chapter 1: Science, Music, and Cognitivism
    1. 1.1 Mechanical Philosophy, Mathematics, and Music
    2. 1.2 Mechanical Philosophy and Tuning
    3. 1.3 Psychophysics of Music
    4. 1.4 From Rationalism to Classical Cognitive Science
    5. 1.5 Musical Cognitivism
    6. 1.6 Summary
  7. Chapter 2: Artificial Neural Networks and Music
    1. 2.1 Some Connectionist Basics
    2. 2.2 Romanticism and Connectionism
    3. 2.3 Against Connectionist Romanticism
    4. 2.4 The Value Unit Architecture
    5. 2.5 Summary and Implications
  8. Chapter 3: The Scale Tonic Perceptron
    1. 3.1 Pitch-Class Representations of Scales
    2. 3.2 Identifying the Tonics of Musical Scales
    3. 3.3 Interpreting the Scale Tonic Perceptron
    4. 3.4 Summary and Implications
  9. Chapter 4: The Scale Mode Network
    1. 4.1 The Multilayer Perceptron
    2. 4.2 Identifying Scale Mode
    3. 4.3 Interpreting the Scale Mode Network
    4. 4.4 Tritone Imbalance and Key Mode
    5. 4.5 Further Network Analysis
    6. 4.6 Summary and Implications
  10. Chapter 5: Networks for Key-Finding
    1. 5.1 Key-Finding
    2. 5.2 Key-Finding with Multilayered Perceptrons
    3. 5.3 Interpreting the Network
    4. 5.4 Coarse Codes for Key-Finding
    5. 5.5 Key-Finding with Perceptrons
    6. 5.6 Network Interpretation
    7. 5.7 Summary and Implications
  11. Chapter 6: Classifying Chords with Strange Circles
    1. 6.1 Four Types of Triads
    2. 6.2 Triad Classification Networks
    3. 6.3 Interval Cycles and Strange Circles
    4. 6.4 Added Note Tetrachords
    5. 6.5 Classifying Tetrachords
    6. 6.6 Interpreting the Tetrachord Network
    7. 6.7 Summary and Implications
  12. Chapter 7: Classifying Extended Tetrachords
    1. 7.1 Extended Tetrachords
    2. 7.2 Classifying Extended Tetrachords
    3. 7.3 Interpreting the Extended Tetrachord Network
    4. 7.4 Bands and Coarse Coding
    5. 7.5 Summary and Implications
  13. Chapter 8: Jazz Progression Networks
    1. 8.1 The ii-V-I Progression
    2. 8.2 The Importance of Encodings
    3. 8.3 Four Encodings of the ii-V-I Problem
    4. 8.4 Complexity, Encoding, and Training Time
    5. 8.5 Interpreting a Pitch-class Perceptron
    6. 8.6 The Coltrane Changes
    7. 8.7 Learning the Coltrane Changes
    8. 8.8 Interpreting a Coltrane Perceptron
    9. 8.9 Strange Circles and Coltrane Changes
    10. 8.10 Summary and Implications
  14. Chapter 9: Connectionist Reflections
    1. 9.1 A Less Romantic Connectionism
    2. 9.2 Synthetic Psychology 0f Music
    3. 9.3 Musical Implications
    4. 9.4 Implications for Musical Cognition
    5. 9.5 Future Directions
  15. References
  16. Index

Copyright © 2018 Michael Dawson

Published by AU Press, Athabasca University

1200, 10011 – 109 Street, Edmonton, AB T5J 3S8

ISBN 978-1-77199-220-6 (pbk.) 978-1-77199-221-3 (PDF) 978-1-77199-222-0 (epub)

doi: 10.15215/aupress/9781771992206.01

Cover and interior design by Sergiy Kozakov

Printed and bound in Canada by Friesens

Library and Archives Canada Cataloguing in Publication

Dawson, Michael Robert William, 1959-, author

Connectionist representations of tonal music : discovering musical patterns by interpreting artificial neural networks / Michael R.W. Dawson.

Includes bibliographical references and index.

Issued in print and electronic formats.

1. Music—Psychological aspects—Case studies. 2. Music—Physiological aspects—Case studies. 3. Music—Philosophy and aesthetics—Case studies. 4. Neural networks (Computer science)—Case studies. I. Title.

ML3830.D39 2018 781.1’1 C2017-907867-4

                                  C2017-907868-2

We acknowledge the financial support of the Government of Canada through the Canada Book Fund (CBF) for our publishing activities and the assistance provided by the Government of Alberta through the Alberta Media Fund.

logos of the Government of Canada and the Government of ALberta

This publication is licensed under a Creative Commons licence, Attribution–Noncommercial–No Derivative Works 4.0 International: see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author.

To obtain permission for uses beyond those outlined in the Creative Commons licence, please contact AU Press, Athabasca University, at aupress@athabascau.ca.

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