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Mountain Masculinity: Twenty-Four: The Wild Goose Chase

Mountain Masculinity
Twenty-Four: The Wild Goose Chase
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Notes

table of contents
  1. Cover
  2. Acknowledgements
  3. Foreword
  4. Introduction
  5. One: Fifth Avenue Pilgrims Amid the Goats
  6. Two: This Guiding Game
  7. Three: The Last Great Buffalo Drive
  8. Four: “William, Prepare My Barth”
  9. Five: Us Winter Sports
  10. Six: Rams
  11. Seven: Tepee Tales
  12. Eight: An Early Ski Attempt on Mt. Ptarmigan
  13. Nine: Pipestone Letters No. I
  14. Ten: An’ All We Do Is Hunt
  15. Eleven: The Latest From Pipestone
  16. Twelve: Dried Spinach or Moose Steak?
  17. Thirteen: Tex Reads His Permit
  18. Fourteen: The Guide Knows Everything
  19. Fifteen: Tex: Gentleman’s Gentleman
  20. Sixteen: It’s Good to Be Alive
  21. Seventeen: Tex Takes a Trophy
  22. Eighteen: Sawback Cleans a Laker
  23. Nineteen: Sawback Changes His Mind
  24. Twenty: Tex Tangles With Horribilis
  25. Twenty-One: Navigatin’ for Namaycush
  26. Twenty-Two: What’s in a Name?
  27. Twenty-Three: Sawback and the Sporting Proposition
  28. Twenty-Four: The Wild Goose Chase by ‘Ramon Chesson’
  29. Twenty-Five: It’s a Woman’s World
  30. Appendix A: Tex Vernon-Wood
  31. Appendix B: A Gift from Grandad Vernon-Wood
  32. Index

TWENTY-FOUR

Twenty-Four THE WILD GOOSE CHASE

The only story in this collection not signed “N. Vernon-Wood,” this is also the only piece not set in the Rockies or adjacent ranges (Selkirks, Cariboos, etc). One reason for using a fictitious name is that another story of his, “It’s a Woman’s World,” appeared in the same issue of the magazine. Tex seems to have been trying his hand at a genre piece outside of his own immediate experience—or perhaps he hunted in New Jersey when visiting one of his Wall Street or other New York clients [his daughter Dorothy, herself also a mountain guide, on and off, until her seventies, visited some of them in the 1950s, with my father Harry in tow—AC]. The style is clearly the same as in the other “straight stories,” and the gentle irony alone would mark this as one of Tex’s. It is worth noting that mountain masculinity is transposed here into the register of winter masculinity; a man’s ability to withstand the cold functioning as a gauge of his hunting prowess on cold marches and sea-shores in early winter. Success comes only at the expense of considerable discomfort and risk, though these are clearly secondary to the successful hunt and occasion some grumbling on the part of the narrator.

—AG

An artwork featuring Canada geese taking flight.

NATIONAL SPORTSMAN, OCTOBER 1938

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